All Dante Gabriel Rossetti Oil Paintings


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Dante Gabriel Rossetti Dantis Amor (mk28) oil painting


Dantis Amor (mk28)
Painting ID::  24425
Artist: Dante Gabriel Rossetti
Painting: Dantis Amor (mk28)
Introduction: 1860 Oil on panel 74.9 x 81.3 cm Tate Gallery London
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Fair Rosamund (mk28) oil painting


Fair Rosamund (mk28)
Painting ID::  24426
Artist: Dante Gabriel Rossetti
Painting: Fair Rosamund (mk28)
Introduction: 1861 Oil on canvas 52 x 42 cm National Museum of Wales,Cardiff
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti The Sermon on the Mount (mk28) oil painting


The Sermon on the Mount (mk28)
Painting ID::  24427
Artist: Dante Gabriel Rossetti
Painting: The Sermon on the Mount (mk28)
Introduction: 1862 Stained glass South nave window All Saints Selsley Gloucestershire
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Portrait of Maria Leathart (mk28) oil painting


Portrait of Maria Leathart (mk28)
Painting ID::  24428
Artist: Dante Gabriel Rossetti
Painting: Portrait of Maria Leathart (mk28)
Introduction: 1862 Oil on panel 33 x 30 cm Family collection
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Girl at a Lattice (mk28) oil painting


Girl at a Lattice (mk28)
Painting ID::  24429
Artist: Dante Gabriel Rossetti
Painting: Girl at a Lattice (mk28)
Introduction: 1862 oil on canvas 30.5 x 27 cm Fitzwilliam Museum University of Cambridge
   
   
     

 

 

 

 

 

 

 


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     Check All Dante Gabriel Rossetti's Paintings Here!
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. . Related Artists to Dante Gabriel Rossetti : | Alexander macdonald | Paul Barthel | ASAM, Cosmas Damian | John Smibert | Alexander Roslin |

 

 

 

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